Michael Hampton, whose legacy resides firmly within the structure of the house that George Clinton built, aka Parliament-Funkadelic, hasn’t released a lot of music lately.
At 69, he’s settled into a calmer life, albeit a life that still includes plenty of guitar playing and occasionally hitting the road with P-Funk.
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If you’re assuming Into the Public Domain will be a strict P-Funk offshoot, think again. The nine-song EP features an interesting cast of characters, including Shooter Jennings, who played keys and did some co-production work at Sunset Studios in Los Angeles.
Cuts like Fight or Flight show Hampton’s pop-rock side, and then there’s the title track, which explodes with the sort of funky fury that made Hampton famous with P-Funk in the ’70s. “I’ve got so many varied tastes,” Hampton says. “I just have them all involved, and whatever surfaces is what goes out.”
Equally varied are Hampton’s gear choices. “It’s really about whatever I had lying around,” he says. “I have a Japanese Guyatone Sharp 5 that I used a lot, plus an old PRS and a Gibson Flying V I’ve had since the P-Funk days.”
Hampton is excited for fans to hear his new EP. In the meantime, he’s listening to all sorts of sounds, with an eye toward hearing – and making – more.
“I’ve been listening to a lot of Kamasi Washington,” he says. “He takes me somewhere. But I get into drone and meditative sleep stuff, too. I like classical, gospel, Bruno Mars, the Killers and the Weeknd. And I always go back to David Gilmour! It’s crazy; I don’t find one thing to settle on. If it doesn’t suck, I probably listen to it.” [Laughs]