![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "\"Rather than scratching his chin, saying, “I don’t know if this works yet”, he’ll go 'This could be the beginning of something incredible, let’s keep pushing in that direction': David Byrne discusses treating the studio \"like a playground\" with Brian Eno 18"){kind=small}
Talking Heads frontman David Byrne has discussed his experiences working with Brian Eno, praising the legendary producer’s knack for “using the studio as an instrument”.
Fielding questions from Guardian readers in a new interview, he detailed how the process of collaborating with the legendary record producer and ex-Roxy Music synth player “changed over the years”.
“I felt he was somebody who had a feeling and an understanding for what we were trying to do,” Byrne said.
“At first, his goal was to capture what the band was doing. Once that was achieved, he brought ideas such as adding funny sounds, not having the songs all written – so we could improvise – and as he calls it, “using the studio as an instrument”.”
He added: “It was fun and we got to things that we’d never have got to if we’d stuck to one way of working. As a producer, he’s very much a cheerleader. Rather than scratching his chin and saying, “I don’t know if this works yet”, he’ll go: “This could be the beginning of something incredible, let’s keep pushing in that direction.”
Eno worked on three landmark Talking Heads albums (More Songs About Buildings and Food, Fear of Music and Remain in Light) and famously helped devise the vocal melody for their classic song Once in a Lifetime.
In the interview, Byrne also commented on his interactions with other inspirational musicians like Ramones and Lou Reed. Of the latter, he said: “Lou had seen us in [New York City music club] CBGB a couple of times and said: “Come back to mine afterwards and we’ll talk about your songs.” We were really excited but nervous and in awe because we were big fans of his solo stuff and the Velvet Underground.”
Byrne continued: “He proceeded to eat two quarts of the ice-cream he had in his fridge, but was creative as well. He started playing our song Tentative Decisions on guitar and suggested it could be slowed down, and slowed down to the speed of a Velvet Underground song. Which was pretty cool, but we didn’t slow it down as far as he suggested.”
It’s also this knack for creative insight that he valued most in Eno, who’s widely renowned for the psychological impact he makes in studio environments, rather than pure technical ingenuity.
“Besides being a fifth band member on this record, Brian is a wonderful enthusiast,” Byrne once said. “He sells the excitement and potential of working in a new way—the upside of stepping into the unknown, experimenting and seeing what might happen.”
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/Array.svg.svg+xml "A rare interview with “The Humbler”, Danny Gatton 26"){kind=small}
