![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "“I said, ‘What does it matter? If someone listens to it on their phone, they don’t know it was cut on tape – it doesn’t make any difference’”: Mick Jagger didn’t see the point in using tape on the new Stones album, but producer Andrew Watt had other ideas 18"){kind=small}
He might be pretty long in the studio recording tooth, but Mick Jagger admits that, during the making of new Rolling Stones album, Foreign Tongues, he didn’t see the point in going old-school and recording to tape rather than digitally.
The issue was raised when producer Andrew Watt suggested going analogue for one song in particular – a cover of an old Chuck Berry record. “We haven’t used tape for ages, but Andy wanted to use tape for Beautiful Delilah,” Jagger tells Billboard. “I said, ‘What does it matter? If someone listens to it on their phone, they don’t know it was cut on tape — it doesn’t make any difference.’”
Watt got his way, though: “We cut it on tape and we did it live,” says Jagger. “That was old style.”
Jagger’s fellow Stone Ronnie Wood also had a few words to say about Watt, all of which were complimentary. “He’s a great guitarist. He can play my parts better than I can,” he quipped.
Elsewhere, Jagger raised the possibility of the Stones releasing more music that features Charlie Watts, their late drummer. “We had a good track with Charlie [Hit Me in the Head, which is featured on Foreign Tongues] and we’ve got other tracks with Charlie. I keep reading this is Charlie’s final appearance – well, we’ve got other tracks with Charlie.”
Jagger also offered his thoughts on Gen-Z superstar Olivia Rodrigo, an artist who’s already received great notices from many of his peers. He was asked specifically about Rodrigo’s ability to make rock music, a genre that she’s explored extensively across her three-album discography.
“She’s really good at it,” he says. “Everyone thought she was a different kind of singer, but there’s quite a few female singers that have made that transition. It’s not a permanent transition necessarily, but the ability to change styles from what you think their original girly pop stuff is – it’s kind of interesting.”
To be fair to Rodrigo, she hasn’t so much ‘transitioned’ to a rock sound as specialised in it. Yes, her breakthrough hit (Drivers License) was a ballad, but right from the outset, she’s married heavy guitars to her pop sensibilities, and shared the stage with the likes of Weezer, No Doubt, David Byrne, Sheryl Crow and Billy Joel.
She’s also performed and recorded with The Cure’s Robert Smith, and has spoken of being a huge White Stripes fan when she was growing up (and yes: Jack White is a friend of hers, too).
