EarthQuaker Devices Towers review | MusicRadar

EarthQuaker Devices Towers review | MusicRadar

MusicRadar’s got your back


Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

What is it?

(Image credit: Future/Matt Lincoln)

The premise of the Towers Stereo Reverberant Filter pedal is to feed your guitar signal through what EarthQuaker describes as “an array of infinitely repeating micro-echoes” into a large cathedral-style reverb.

The whole lot then interacts with a resonant low-pass filter that’s woven into the signal path for an extra layer of harmonic complexity.

Specs

EarthQuaker Devices Towers Stereo Reverberant Filter: a very different take on reverb, the five-knob pedal has dual footswitches, a blue enclosure with cream graphic.

(Image credit: EarthQuaker Devices)

Usability and sounds

EarthQuaker Devices Towers

(Image credit: Future/Matt Lincoln)

While you get a standard Mix knob to add effected sound to the dry signal, and a Length knob that determines how long your reverb tail is, the filtering is the key to the Towers’ unique sonic aspects, adding a ringing richness and movement.

Latest Videos FromMusicRadar

A Filter knob controls how much the filter is mixed into the reverb pathways, determining the depth of harmonic resonance, with the filter Frequency dialling in variations of the effect via three toggle-switched modes that determine how it is applied.

EarthQuaker Devices Towers

(Image credit: Future/Matt Lincoln)

Manual mode is used for setting the Frequency knob where you want it for tonal shading. In Envelope mode you can control the filter frequency with picking dynamics, the Frequency knob adjusting the sensitivity of the envelope and determining how you can emphasise that ‘opening filter’ movement in the sound. In LFO mode the filter frequency is controlled by a slow moving LFO, with the Frequency knob adjusting the sweep rate.



Source link

Deixe um comentário

O seu endereço de email não será publicado. Campos obrigatórios marcados com *

“I found a 1968 Gibson on eBay and took a chance. The neck has snapped three times, but it's still the best bass I've ever played”: How a battle-scarred vintage Gibson survived three broken necks to power a Mercury Prize-nominated jazz collective

“I found a 1968 Gibson on eBay and took a chance. The neck has snapped three times, but it’s still the best bass I’ve ever played”: How a battle-scarred vintage Gibson survived three broken necks to power a Mercury Prize-nominated jazz collective

“My hands started shaking as soon as I began recording. We weren’t talking about it or rehearsing – we were actually doing it”: Vivian Campbell on joining Dio just before recording their classic debut album

“My hands started shaking as soon as I began recording. We weren’t talking about it or rehearsing – we were actually doing it”: Vivian Campbell on joining Dio just before recording their classic debut album