More than half a century since the release of “Layla,” one of the most iconic tracks in Eric Clapton’s canon, Rita Coolidge is still waiting to be credit for writing the outro’s piano lines.
Clapton’s own signature is, of course, all over the eponymous 1970 track from Derek & the Dominos’ Layla and Other Assorted Love Songs, an album with an intriguing backstory of its own. The album is a uniquely personal entry in Clapton’s catalog, written and recorded while the guitarist was in the throes of longing for Pattie Harrison, the wife of his famous Beatle pal George.
While the song’s signature electric guitar riff was penned by the then largely unknown Duane Allman, who guested on the record, the tune was Clapton’s entirely — up to the piano coda that concludes the song’s final minutes. That final icing on the cake was written by Dominos drummer Jim Gordon and singer Coolidge.
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Coolidge was hardly anonymous at the time. Like Clapton and the rest of his band, she had served in Delaney and Bonnie Bramlett’s band, ground zero for Derek & the Dominos. Since then, Coolidge had gone on to record with artists that included Joe Cocker, Leon Russell — who wrote Cocker’s hit “Delta Lady” for her — Stephen Stills and Clapton himself on his self-titled debut solo album.
As the singer explained in a TikTok post, she was in Miami’s Criteria studio — the same facility where Layla was recorded — having her photo taken to promote her 1971 debut solo album, when she heard the song being played.
“I’m like, ‘Wait a minute, I recognize this music and know this music,'” she said. “They’re like, ‘You don’t know it, it’s a brand-new Eric Clapton record,’ and I said, ‘It’s my music!’ They took pictures of the veins popping out in my neck. I was so upset.”
Coolidge said that, after hearing the song, she rushed to Tower Records, where, to her dismay, she found her name absent in the credits.
“I started trying to get in touch with Eric through Robert Stigwood, who was his manager at the time, and was just a mogul,” she recalled. “I got him finally on the phone, and I said, ‘I’m one of the writers, that’s my music.’ He said, ‘Yeah, what are you gonna do about it? You’re a girl. You don’t have the money to fight this. Let it go.’ And that was it.”
In her memoir, Delta Lady, Coolidge wrote that Clapton heard her play the song during their previous recording sessions together, long before he’d woven it into “Layla’s” tapestry.
“We played the song for Eric Clapton in England,” she wrote. “I remember sitting at the piano in Olympic Studios while Eric listened to me play it. Jim and I left a cassette of the demo, hoping, of course, that he might cover it.”
Although he hasn’t publicly addressed Coolidge’s claims, Clapton told Guitar Player in 1985 that he had coaxed the song away from Gordon for use as the coda to “Layla.”
“Jim Gordon wrote that and had been secretly going back into the studio and recording his own album, without any of us knowing it,” Clapton told assistant editor Dan Forte. “And they were all love songs composed on the piano. And we caught him playing this one day and said, ‘Come on, man. Can we have that?’
“So he was happy to give us that part. And we made the two pieces into one song.”
While Clapton did give Gordon a co-writing credit for the song, Coolidge’s part in Derek and the Dominos’ short-lived legacy remains overlooked.
