“I used a Gibson EB-3 through my time with David, trying to get the same bass sound Andy Fraser got with Free”: How the late, great Trevor Bolder applied melodic flair to anchor this irresistible 12/8 rocker from David Bowie’s Aladdin Sane
“I had three days to learn the entire set… One rehearsal. I met Pink at soundcheck right before the first show then I’m playing in front of thousands and thousands of people”: Eva Gardner on trial by fire with pop megastars and returning to the Mars Volta
“Sly turned his back on me in the control room, giving a shout whenever he heard something he liked”: How Larry Graham’s hand-picked replacement supercharged this 1973 hit for Sly & The Family Stone with an iconic bassline
in Artists, Bassists “I think John always thought it was me, Steve, and Paul against him, but it wasn’t quite like that”: Glen Matlock opens up about Sid Vicious replacing him in the Sex Pistols to become one of punk’s most iconic figures
in Artists, Bassists “With The Beatles there are two periods: the early albums, where they would recreate what they did live – and the post-’65 overdub era”: Was Paul McCartney singing while he recorded this bass track? There are audible cues in the final mix
