in Feeds “I’m afraid if I started jamming on it, people would go, ‘What is he doing? That’s wrong! Is he having a moment?’”: Don Felder says playing the Hotel California solo note-for-note is his “obligation” to Eagles fans
in Feeds “I don’t want to say The Beatles cleared it, but somebody at EMI or Apple. So whoever you were that did it, thank you. Thank you, Sir Paul”: Mike D on how the Beastie Boys got away with sampling five Beatles songs on Paul’s Boutique
in Feeds “I was jamming and I heard ‘Bam!’ – I looked at the stage and there was an open Buck knife sticking in the screen of my cabinet”: Slipknot and Korn on the perils of life on the road
in Feeds “You wouldn’t write it down as an idea – let’s have gentle falsetto vocals referencing a Batman film and try to be inspired by UK garage and Prince”: How Hot Chip made an electronic pop classic
in Feeds “I guess it’s a real summer song – as soon as you play it, you know it’s going to kick off”: Ash’s Tim Wheeler tells us about the making of their most beloved song
in Feeds “I sang it to Yoko, Phil Spector and a few people and they always winced. I decided to change it… The words were silly anyway”: How John Lennon created one of his greatest post-Beatles songs – with a little help from Yoko
in Feeds “I hate the term relic’d guitars. We don’t relic guitars. We age guitars”: Mark Agnesi explains the difference between relic’ing and aging guitars – and Gibson’s vision for making the vintage guitar experience more accessible
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