in Feeds “My plan, which Andy probably didn’t like, was based on when Prince wrote Nothing Compares 2 U and no one knew it was a Prince song until it became this big hit”: Razorlight’s biggest song was originally intended for another artist, says Johnny Borrell
in Feeds “An effects unit aimed squarely at those who want a fast, powerful way to experiment with sound”: Soma Laboratory Warp review
in Feeds Extreme, the Rolling Stones, The Cure, Paramore, Weezer, Slipknot and Radiohead are all heading to Stage Tour, the new Guitar Hero-style game that’s now available for pre-order
in Feeds Danny Cedrone recorded possibly “the best rock and roll solo of all time” – twice! – but a cruel tragedy meant that he never got to perform it
in Feeds “You will not meet a punk-rock songwriter who doesn’t love the Descendants. They’re responsible for what’s so popular today”: The secret to Descendents’ seminal punk guitar sound and why Milo stood the test of time
in Feeds “He called me and said, ‘There’s a scene in this film which is going to make it a hit all over again.’ I saw it and said, ‘Oh my God!’ When I played that song in England it would go down like a lead zeppelin”: The story of Elton John’s classic sleeper hit
in Feeds “If anything, it was tamed down… he wasn’t at 100% – that was maybe 60%”: We speak to Future Islands about THAT Letterman performance, the internet’s OTT reaction – and their new collection of rarities and B-sides
in Feeds “If I was going away on a trip and could only bring one keyboard, I’d bring that one, because I know where every sound is blindfolded”: Grammy-nominated producer Rogét Chahayed on the stage keyboard he can’t live without
in Feeds “Martin Gore brought along his synthesizer – we thought, this is a lot easier than learning chords on a guitar and you only need one finger to play it”: Vince Clarke on the early days of Depeche Mode and his first synth memories
in Feeds Olivia Rodrigo reveals the trick that producer Dan Nigro uses to get a better vocal take from her: “When I’m not giving an emotional enough performance, he will actually just set up the camera on his phone and film me, and I’ll always do a better job”
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/Array.svg.svg+xml "Kiesel keeps the electric guitar fresh with new metal offset 5"){kind=small}
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "“He called me and said, ‘There’s a scene in this film which is going to make it a hit all over again.’ I saw it and said, ‘Oh my God!’ When I played that song in England it would go down like a lead zeppelin”: The story of Elton John’s classic sleeper hit 7"){kind=small}
