in Feeds “I’m still disappointed when people hear the chorus line as ‘got to’ rather than ‘get to’”: How One rescued Achtung Baby and saved U2
in Feeds “I got a call from my lawyer – she told me to sit down. She’d just gotten off the phone with the Stones’ manager…” The Canadian musician who co-wrote a Rolling Stones song without realizing it
in Feeds “I have them because they sound so bad – if it sounds good on them, then it’ll sound good anywhere”: Erol Alkan on the gear that he trusts above all else
in Feeds “They’re looking at each other and not saying anything. Finally, they said, ‘We’ve auditioned a lot of people, and you’re the only bass player who wants to play that song’”: The moment Doug Wimbish knew he’d joined Living Colour
in Feeds “Don’t play, or even look at, this bass if you’ve got a hangover”: The biggest bass guitar launches this month
in Feeds “I made a beeline through the crowd to hand Chuck Berry his ES-335. His eyes were windows into the legend”: The Canadian guitarist who worked with Rush, Heart and k.d. lang – and unwittingly co-wrote a Rolling Stones song
in Feeds Ronnie Wood joins Joe Perry and Johnny Depp for two blues rock classics with the Hollywood Vampires
in Feeds “Paul turned his back to me to get something. What emerged was a perfectly rolled ganja joint”: Carlos Alomar’s hazy first encounter with Paul McCartney
in Feeds “For under $600 it does something quite special – it opens up a new sound-world”: Gretsch Electromatic CVT Baritone review