in Feeds “It has grown way beyond what I could have ever imagined when I sat in a little studio in 2013, messing around with these little ‘80s tracks”: We catch up with synthwave figureheads The Midnight who exclusively reveal an eye-catching new collaboration
in Feeds “The label was like ‘We’re going to sue you because you’re not making music characteristic of Beck’”: Beck reflects on the behind-the-scenes consequences of genre-hopping
in Feeds “I got on the mic and said, ‘I’m gonna go see Albert King. If you got any brains, you will, too.’ And I picked up and went”: The night Stevie Ray Vaughan walked out of his own show to go watch his blues hero
in Feeds Gene Simmons confirms why Kiss can never play live again without permission: “They own the makeup and everything”
in Feeds John Mayer honours Dolly Parton with a tender electric guitar cover of I Will Always Love You: “This is what a life well-lived looks like, feels like, sounds like”
in Feeds “I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
in Feeds “I was broke. I only had $200 and we booked a gig. There was this guitar at a pawn shop that had been there for years…” How George Thorogood stumbled across the Gibson that became his go-to guitar – a week before his first gig with the Destroyers
in Feeds “He’s the Quincy Jones of the rap world. Working together was like nothing I’ve ever experienced – it’s like watching Fantasia!”: Hip-hop hitmaker Rogét Chahayed on learning his craft from Dr Dre
in Feeds Angine de Poitrine on why they’re one of 2026’s biggest success stories: “It would be presumptuous to think that it’s only about the music”
in Feeds I played my beloved Strat when I opened for Weezer. It got me discovered by Pearl Jam’s Mike McCready. Then I gave it away to a prison