How to Perform B-Bender Licks Without Having a B-Bender Guitar]

A staple of many great country and country rock songs – and, in the hands of Jimmy Page and Albert Lee, rock songs – is the sound of the B-Bender.

For those unfamiliar, a B-Bender is a string-pulling device built into a guitar, most often a Fender Telecaster, that allows the player to raise the pitch of the B string by simply pulling down on the guitar strap. This enables one to emulate the pitch-bending sound of a pedal steel guitar, which works in a similar way, with pedals used to raise the pitches of individual strings or groups of strings.

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Legend has it that, while recording, Clarence said, “Hey, I need another finger to play this chord! Gene, come over here and push down on my B string behind the nut to raise the pitch.” Gene reportedly said, “You know, I can build a device that will do that for you.” And thus the Parsons/White B-Bender was born.

Part of the guitar’s body is hollowed out for a pulley system: a rod is attached to the strap button above the neck, and when this rod is pulled downward (by pulling on the strap), the pulley system raises the pitch of the B string inside the bridge up to one whole step.

Blackberry Smoke’s Charlie Starr: How to mimic B-bender licks on a regular guitar – YouTube

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Like most players, I was forced to learn how to attain the B-Bender sounds on a standard guitar long before I attained one equipped with a B-Bender.

As shown in Figure 1, while holding down the notes B and F# at the 7th fret on the top two strings, I can bend the F# up to G#. This technique, where one note rises while another remains stationary, is known as an oblique bend.

We have a Blackberry Smoke song called Sleeping Dogs, in which I play B-Bender-type licks on a standard guitar. As shown in Figure 2, there’s a turnaround in the song that goes D5 – E (or E7) – G7 – D.

GWM601 Charlie Starr lesson

(Image credit: Future)

Figures 3 and 4 illustrate the licks I play over these chords, for which I bend my G string downward to raise an E note up to F#.

Years ago I’d go see Rick Richards from the Georgia Satellites, who played a Les Paul Junior through a dimed Hiwatt amp. He was the king of Chuck Berry-style licks, like the one shown in Figure 5, and he’d play beautiful licks like Figures 6 and 7 that emulated the B-Bender sound by bending his G string while holding two-note forms on the top two strings.

GWM601 Charlie Starr lesson