![Jason Isbell explains the value of Mexican-made guitars and why they should be more recognized.]](https://backingtracksfullcollection.com/wp-content/uploads/2025/12/Jason-Isbell-explains-the-value-of-Mexican-made-guitars-and-why-758x426.jpg "Jason Isbell discusses the overlooked value of guitars made in Mexico.] 1")
While certain players are particular about where their guitars are manufactured, Americana star Jason Isbell is the total opposite. In fact, he’s taking a stand in favor of “Made in Mexico” guitars – particularly as he has recently collaborated with Martin’s Mexico factory on the Jason Isbell 0-17 and 0-10E Retro acoustic guitars.
“Working with somebody like Martin makes that a whole lot easier,” he tells Guitar.com. “Because they have a big skilled workforce. And I think the guitar builders in Mexico get a bad rap.
“I worked with Fender on a Telecaster that was made in Mexico. And they did a great job on that guitar. I think it was the first double-bound Tele that they had made in the factory, and they knocked it out of the park. Those are great guitars!”
Isbell goes on to say that part of the conversation lies in “bias.”
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“I think people pay for their biases too sometimes,” he asserts. “Not necessarily with Martin, but with a lot of companies. I think people will pay more to reinforce the incorrect opinions that they already have.”
And if you’re one of those guitar players who are particular about where their guitar is made, well, think again. According to Isbell, his Road Series signatures are a real eye-opener, as he insists the premium Jason Isbell 0-17 – which serves as a replica of the 1940 Martin 0-17 he used all across his latest album, Foxes In The Snow – is more than the real deal.
“I don’t think anybody could have done a better job on a guitar at that price point at making it reminiscent of the pre-war Martin, for sure. It definitely has that vibe to it. I could take this Mexican-made version out and play it on tour and nobody would know the difference,” he concludes.
Isbell’s statements echo Paul Reed Smith’s take on guitar building – that, essentially, he doesn’t think that where a guitar is made truly matters.
