“I used a Gibson EB-3 through my time with David, trying to get the same bass sound Andy Fraser got with Free”: How the late, great Trevor Bolder applied melodic flair to anchor this irresistible 12/8 rocker from David Bowie’s Aladdin Sane
“I was like – there has to be a different way to express how I’m feeling”: How Lorde established herself as Bowie’s creative heir with her weirdest and most brilliant single
