“The guitar that I used on my first album cost me $20, and I got a good sound out of it. It’s what you put into the guitar that counts”: He collaborated with Johnny Winter, and was covered by Phish. Son Seals is essential listening for any blues guitarist
“The good news is it was recorded – you can go online and see it. The bad news is that’s because someone stole all the master tapes”: Jeff ‘Skunk’ Baxter on his supergroup with Joe Walsh, sessions with Joni Mitchell and the voices of Albert King
“A good all round headphone suited to recording, mixing and mastering”: Adam Audio H200 Headphones review
in Artists, Guitarists, Guitars “The engineer was so happy with the sound, he was not even mad about it. You know if an engineer likes a piece of gear, it must be pretty good”: Jack White says his new Fender amp sounded so good that he rerecorded half of the guitars on No Name with it
in Artists, Guitarists “I had that guy on the phone and said, ‘Give me one good reason why we should sell you the guitar?’ He said, ‘The money.’ I said, ‘That’s not a good reason’”: Why Uli John Roth turned down a $9 million offer for Jimi Hendrix’s iconic black Strat
in Guitarists “It’s good to be a little bit of a street gutter rat and get out there and jam with people.” Lita Ford on the one thing young guitarists should be doing… and what they shouldn’t
in Artists, Guitarists “I only asked them to play on my album because the record company thought a few well-known names would be a good selling point”: Snowy White tells the story of his 1994 collaboration with Gary Moore and David Gilmour
