“If you were to look at his amp settings onstage, you’d be like, ‘Why is he doing that!? Turn that down”: Lifeguard on adventures in improvised sound, creative epiphanies, and how they found the balance between abstract noise and pop hooks
“I’ve been a Live user for around 20 years, and it’s probably the effect I turn to most regularly”: Ableton Live 12.2 gives this “incredibly versatile” device a much-needed refresh – and rectifies Push 3’s most notable missing feature