![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "Jackson and Brandon Ellis unveil 27-fret signature Kelly 18"){kind=small}
Brandon Ellis and Jackson have unveiled the latest in their long-standing signature guitar collaboration, with the Cannibal Corpse touring guitarist’s Kelly getting a Gold Crackle glow-up, and a spec reworked to make it even more amendable to fretboard pyrotechnics.
That, of course, means that we have return of the now familiar 27-fret platform. Ellis is a big believer in extra fingerboard real estate for upper-register gymnastics, and five minutes one of these might convince you, too.
But he has also asked for some choice tweaks for this new Pro Plus model. If there is a Custom Shop vibe to the Pro Plus Series KE7, which pairs that Gold Crackle finish with a maple fingerboard, then that’s because it was inspired by a Maserbuilt Kelly in Ellis’ collection.
“This guitar is based off of the Custom Shop Kelly that Metal Joe Williams built for me some years back,” says Ellis. “I just thought that maple and gold would look really cool together. I thought it would be kind of a striking regal look that wasn’t common, and [it] exceeded my expectations.”
This new model should feel a little different to previous Ellis Kellys. It has the 12” to 16” compound radius fingerboard, but we’ve now got stainless steel frets (these are the kinds of upgrades you get with the Pro Plus Series).
It also has a slightly shorter scale than the 25.5” you find on most Jackson guitars, and the R2 locking nut is slightly narrower, so the string spacing will be a little tighter up there as per Ellis’ preferences.
“I was gonna design a guitar that was for soloing, specifically, so I made it a 25.1-inch scale length, and that allows the strings to be bent a little bit easier,” says Ellis. “And it also affects just the sound of the guitar. There’s a maple fretboard.
“That has a nice, snappy, kind of sound to it that people know, and the body is nyatoh, which I find to be just a really well balanced, bold-sounding tone wood. It is not too bright. It’s not too dark.”
Speaking of too dark, there are the Luminlay side-dot markers that illuminate in low light situations, which is always helpful onstage. Fretboard navigation is a big thing with this guitar.
We’ve got the typical Jackson shark tooth inlays, black on maple, easily visible, but there’s a neat visual cue where they run as standard from frets 1 to 11, there’s a double inlay at the 12th, and all frets above that the inlays are reversed so there’s more inlay on the treble side.
Ellis says this makes it a little easier finding your way around, though we have never seen the former Black Dahlia Murder guitarist having any trouble with that.
As for the pickups, we’ve got his Seymour Duncan Parallel Axis Dyad humbucker at the bridge, a hum-cancelling Seymour Duncan Parallel Axis Stack single-coil at the neck position.
“This [humbucker] is unique because it features asymmetrically wound coils,” says Ellis. “So one of these coils is a lot hotter than the other one, and it opens up the sound of a humbucker when the two coils don’t perfectly cancel each other out. And we gave it gold magnets and gold logos to just match the cosmetic of the guitar, which is really cool.”
These are selected by a three-way switch, and there’s a single volume control with a push/pull function for series/parallel modes.
This would not be the über metal guitar it is without a double-locking vibrato, and so we have a top-mounted Gotoh GE1996T vibrato system here, in gold, because this is a classy guitar. Hey, a Kelly is a radical electric guitar, especially with that reverse six-in-line headstock and that shape, but this wears this gilded finery better.
“I’m just honoured that we’re able to present this product, and that people are gonna buy my guitar,” says Ellis. “It’s kind of insane.”
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The Pro Plus Brandon Ellis Kelly KE7 is out now, priced £1,799/$2,199, and that includes a gig bag. For more details, head over to Jackson.
