in Feeds “It’s not just about the money – I just wanted my name on there because it was my work and somebody else took the credit”: Rogét Chahayed on signing away his contributions to Kendrick Lamar’s To Pimp a Butterfly for “a few thousand bucks”
in Feeds “It’s a strange little song – even for a ska song. It has a different kind of rhythm”: We chat with The Selecter’s Pauline Black about their breakthrough 1979 single
in Feeds “You couldn’t tell the difference between the Squier and the Fender. I played them live, and I couldn’t tell”: John 5 on the Squier Telecaster that competes with Fender
in Feeds “I pulled up the sound, played this chord and thought, ‘whoa, I’ve never heard a crazy organ sound like that before’”: Rogét Chahayed on how a Kontakt preset based on a ’90s Casio toy keyboard made the intro to Travis Scott’s Sicko Mode
in Feeds “We left the track and went back out on the road. Two weeks later I hear it on the radio. I said, ‘No, that was just a demo!’ They said, ‘No, it’s a hit’”: Why Keith Richards never wanted anyone to hear his Satisfaction guitar riff
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "“It's not just about the money – I just wanted my name on there because it was my work and somebody else took the credit”: Rogét Chahayed on signing away his contributions to Kendrick Lamar's To Pimp a Butterfly for \"a few thousand bucks\" 1"){kind=small}
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![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/Array.svg.svg+xml "Blind guitarist receives first guitar with tactile markers 4"){kind=small}
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