“Since 1997, the complaint about pitch correction has been the same: it takes the singer out of the singing. That’s the problem DVA was built to solve”: Antares launches AutoTune Advanced with new DVA™ vibrato engine

"Since 1997, the complaint about pitch correction has been the same: it takes the singer out of the singing. That's the problem DVA was built to solve": Antares launches AutoTune Advanced with new DVA™ vibrato engine

Antares has announced the release of AutoTune® Advanced, a new edition of the vocal tuning plugin based on a ground-up rebuild of the Auto-Mode pitch algorithm and equipped with a newly-developed DVA™ vibrato detection and preservation engine.

The new flagship product in the AutoTune range for producers working in Auto-Mode, AutoTune Advanced promises to address an issue that has plagued producers and engineers working with pitch correction tools since their inception. When applying tuning to a vocal recording – particularly at tighter or more aggressive settings – a singer’s natural vibrato can often be flattened or altered, taking away from the character of the performance.

Advanced tackles this with DVA, a feature that identifies a vocalist’s vibrato and preserves it so that the natural rise and fall of a singer’s pitch remains intact. Not only preserving vibrato, DVA also gives users the ability to cut it, boost it or generate artificial vibrato using a number of different waveshapes in the Creative Vibrato FX panel, with precise control over timing and expression. There’s also a visualiser onboard to track the vibrato-shaping in real time.

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AutoTune Advanced’s Creative Vibrato FX panel (Image credit: Antares)

Antares tells us that the work the company has done on its updated tuning algorithm represents the “largest engineering investment” since its introduction, producing the most clear and accurate pitch correction found in an AutoTune product to date. This is complemented by a new Live Mode designed for “ultra-fast” real-time monitoring, which is joined by two more latency modes: High Quality is for final mixes and bounces and Low Latency is suitable for general studio work.



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