“That’s the version I wish came out originally. You’re going to hear a lot of jazz chords, ladies and gentlemen”: Charlie Puth reinterprets his back catalogue – including his huge 2015 US number one – as he performs at the Tiny Desk

“That's the version I wish came out originally. You're going to hear a lot of jazz chords, ladies and gentlemen”: Charlie Puth reinterprets his back catalogue – including his huge 2015 US number one – as he performs at the Tiny Desk

Charlie Puth loves a bit of reharmonisation – just check out his version of the US National Anthem from this year’s Super Bowl – so it’s perhaps unsurprising that, when he and his band turned up for work at the Tiny Desk studio, they did so with a set of songs that sounded markedly different from the ones that were committed to record.

The tone was set from the off, with a reworked version of 2016 hit We Don’t Talk Anymore. Gone were the tropical house inspired production flourishes, leaving Puth to perform the song in a way that better represented how he originally imagined it.



Source link

Deixe um comentário

O seu endereço de email não será publicado. Campos obrigatórios marcados com *

We speak to the noise music creatives pushing out at the extremes of sound: “It's somehow a kind of fetish”

We speak to the noise music creatives pushing out at the extremes of sound: “It’s somehow a kind of fetish”

“It’s insane. He died aged 25, only guitar players remember him, and yet he was the sound of the Pretenders”: Chrissie Hynde on the underrated guitar hero who defined the Pretenders

“It’s insane. He died aged 25, only guitar players remember him, and yet he was the sound of the Pretenders”: Chrissie Hynde on the underrated guitar hero who defined the Pretenders