“He’s very… Harry Stylish. That’s what he is. But that’s all that he is. It’s very superficial”: Producer Mike Stock explains why he thinks streaming has robbed us of “iconic” stars and great pop songs
“The fun had gone. The spirit had gone. That album was a final attempt to see if something could be salvaged. It couldn’t”: Why Roger Hodgson had to quit Supertramp in the ’80s – after writing and singing their biggest hits
I never play a gig without these 8 essential tools – build your own guitar first aid kit from just $8.99 in the Prime Day sales
DAWs for DJs, rotary mixers and the world’s first standalone motorized controller: 5 of the coolest pieces of gear we saw at Thomann’s DJ Days
“It’s the hottest, burning, high-passion piece I’ve ever heard in my life.” Brian May names the guitar solo he considers the greatest in the world
“I’m auditioning for an Irish rock band, so I’m expecting a red-haired white guy. Then this big black guy with a massive afro and an Irish accent says, ‘Hey, I’m Phil!’ I thought, ‘This is gonna be interesting’”: Scott Gorham’s wild ride with Thin Lizzy
“I can hear a lot of Ritchie Blackmore fans crying out, ‘No! He’s using digital stuff!’” Simon McBride is ditching stacks for modelers and transforming Deep Purple’s sound
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/1779850244_Array.svg.svg+xml "“He's very… Harry Stylish. That's what he is. But that's all that he is. It's very superficial”: Producer Mike Stock explains why he thinks streaming has robbed us of “iconic” stars and great pop songs 19"){kind=small}
![Array]](https://backingtracksfullcollection.com/wp-content/uploads/2026/05/Array.svg.svg+xml "Mick Thomson reflects on Slipknot's Wait and Bleed 25"){kind=small}
