“If we do this correctly, I think this could be one of the best blues songs ever!”: How Joe Bonamassa and Kevin Shirley took an obscure Tim Curry track to a whole new level
“I sat on the toilet, with a mag in my left hand and my sax in my right and we did the takes there”: The genius – and unusual recording story – of Supertramp’s greatest song
“I told her it was very unusual for an agent not to be doing that”: Garbage’s Shirley Manson explains how Olivia Rodrigo brought the personal touch to her Daisy Chain Fields festival
“The pair discuss key influences, formative experiences, and his singular approach to artistic innovation”: Jay-Z and Rick Rubin to team up for new documentary series
Extreme, the Rolling Stones, The Cure, Paramore, Weezer, Slipknot and Radiohead are all heading to Stage Tour, the new Guitar Hero-style game that’s now available for pre-order
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
Sleep Token love them. Progressive guitar heroes worship them. But they imploded spectacularly. This is the story of unsung prog icons Oceansize: “We put ourselves through hell because we knew we were better than everybody else in the music industry”
Guitar Center unveils Crossroads 2026 collection with limited-edition Eric Clapton and John Mayer models: “These guitars are sacred things to me”
Joe Bonamassa pays tribute to Tim Curry as he shares their unlikely connection: “It changed my career trajectory forever”
“It’s been a privilege to have him elevating my songs because he’s a musical genius”: Steve Louw on making his folk-country rock mashup – with a little help from Joe Bonamassa once again
“I said, ‘Hey, guys – we’ve got a visitor’. They looked at me as if to say, ‘So what?’ and then Joey Ramone walked in and went, ‘How’s it going, guys?’ Everyone’s jaws hit the floor”: We speak to Primal Scream legend Bobby Gillespie
Dolly Parton’s unique creative process remembered: “Dolly said, ‘Can you just make it, like, reds and greens and sparkles?’ I played as many notes as I could while the other hand was working the transposer. She was going, ‘Yeah, yeah, that’s it. Whee!’”
